The Ship That Became A Bomb
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Soon, a vast, decrepit oil tanker in the Red Sea will likely sink, catch fire, or explode. The vessel, the F.S.O. Saferpronounced Safferis named for a patch of desert near the city of Marib, in central Yemen, where the countrys first reserves of crude oil were discovered. In 1987, the Safer was redesigned as a floating storage-and-off-loading facility, or F.S.O., becoming the terminus of a pipeline that began at the Marib oil fields and proceeded westward, across mountains and five miles of seafloor. The ship has been moored there ever since, and recently it has degraded to the verge of collapse. More than a million barrels of oil are currently stored in its tanks. The Exxon Valdez spilled about a quarter of that volume when it ran aground in Alaska, in 1989.
Many people familiar with the Safer liken it to the dockside warehouse in Beirut, packed with ammonium nitrate, that exploded last year. That blast killed two hundred and eighteen people and destroyed a swath of the city: nearly eighty thousand apartments were damaged. Beiruts plight was predicted, toosix months before the explosion, officials inspecting the consignment of ammonium nitrate on the waterfront warned that it could blow up all of Beirut. Ahmed Kulaib, who was the head of until recently, described the Safer to me as a bomb.
The new oil terminal was half built when Yemens capital, Sanaa, was overtaken by the Houthis.
Finding A Way Back From Suicide
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Id written about my mother, a memoir of our lives together. She was a terrible alcoholic. The manuscript felt like a betrayal. It was April, 2006. I was sick with suicide. I let myself hang from the fire escape, and almost fell from the roof of my building. My girlfriend, Regan, was exhausted from the months of my decline. Id only got worse and worse, until, finally, my doctor told me that I would die if I stayed out of the hospital. Id already had one trip, after the day on the roof, to a hospital in Brooklyn, but I had talked my way out, and now five weeks had passed. I was taking the sedative Klonopin, but no antidepressant. I didnt want to die. My friend Anne was a psychiatrist at Columbia Presbyterian, way uptown she worked in the psych emergency room, and she insisted that I come there, that they would take care of me. One day in early May, I called a car and rode uptown. I didnt take much with me. It was a sunny, clear day, and I could see the George Washington Bridge in the distance. The car stopped in front of the E.R., and I got out and stumbled in.
In the waiting room, I sat bowed over, my head in my hands and my elbows on my knees. Eventually, a nurse came and led me to a wooden door that had a police officer standing beside it. This was the entrance to the psychiatric emergency room. The police officer knocked on the door, and a second police officer, waiting inside, opened it.
A New Yorker Staffer Questions Racial Equality At The Magazine And Becomes The Talk Of The Town
Erin Overbey took on a painstaking research project for herself in 2019. Combing through back issues of the New Yorker, she began tabulating the race and gender of the people who wrote and edited the magazine.
Her conclusions, reached this month: Almost none of the 40,000-plus feature articles and reviews published by the magazine over the decades had been edited by a Black person, and only a tiny fraction of the total were written by Black, Latino and Asian American women not surprising, perhaps, in a magazine whose history stretches to 1925. But in a few narrow categories , she determined that the New Yorkers writers were less diverse over the past 30 years than in earlier decades.
On Twitter, where Overbey posted her findings on Sept. 14 with an introduction of Lets talk about racism!, she alleged that the top editorial ranks of prestigious magazines like the New Yorker resembled member registries at Southern country clubs circa 1950. Her multipart post quickly went viral, eliciting praise from influential writers including Salman Rushdie and Nikole Hannah-Jones. Veteran critic Frank Rich a landmark in American press criticism.
But it wasnt just the research that drew attention it was also the researcher. Overbey has worked at the New Yorker for nearly 27 years, currently as its archives editor, overseeing the vast trove of articles from which her research was drawn.
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The Free Trial Card Up Your Sleeve
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Over 10 years ago, my high school English teacher recommended that all of his students get a subscription to The New Yorker. He often xeroxed the fiction pieces for us to read, and was known for saying, “If you read this magazine cover to cover each week, you’ll learn almost everything you need to know about what’s going on in the world.” Because I thought he was great, I got a subscription, and have never regretted it. For a few years I read only the fiction pieces and the poetry, and gradually moved towards the Talk of the Town, and beyond.
I haven’t lived in the New York area since high school, but each week when my New Yorker comes I gleefully pick it up and begin reading. First the poems, then the Talk of the Town, and then… who knows? I am never disappointed.
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Described by the publisher as “a national magazine edited to address current issues, ideas and events…domestic, and international news analysis, with in depth features, critics and humorous observations on politics and business, culture and the arts, education, style, sports and literature”, that certainly describes what The New Yorker does, but not what it is…
In our opinion, The New Yorker is second only – barely – to The Atlantic Monthly in terms of scope of reporting, quality of writing and relevance of material. In fact, both magazines share a similar format and layout.
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The Accidental Perfection Of The Beatles White Album
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To mark this months fiftieth anniversary of the Beatles ninth album, The Beatlesuniversally known as the White Albumseveral new expanded and enhanced editions are being released this week. These new versions were created under the supervision of Giles Martin, the son of the albums original producer, George Martin. As was done last year with Sgt. Pepper, the new editions contain, along with a wealth of archival recordings and other material, a brand-new, digitally remixed presentationa laborious retrieval and reassembly of the contents of the original multitrack master tapes, with a comprehensive scope far beyond that of all previous remasters and releases. The result reveals what might be called the greatest record ever made, not only in terms of its innovation and its strange, impenetrable, endlessly suggestive beauty but also because of its place at the apex of the Beatles career and its role as an aesthetic keystone for nearly all the rock-and-roll recordings that have followed.
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View Of The World Cover
Saul Steinberg created 85 covers and 642 internal drawings and illustrations for the magazine. His most famous work is probably its March 29, 1976, cover, an illustration most often referred to as “View of the World from 9th Avenue“, sometimes referred to as “A Parochial New Yorker’s View of the World” or “A New Yorker’s View of the World”, which depicts a map of the world as seen by self-absorbed New Yorkers.
The illustration is split in two, with the bottom half of the image showing Manhattan‘s 9th Avenue, 10th Avenue, and the Hudson River , and the top half depicting the rest of the world. The rest of the United States is the size of the three New York City blocks and is drawn as a square, with a thin brown strip along the Hudson representing “Jersey”, the names of five cities and three states scattered among a few rocks for the United States beyond New Jersey. The Pacific Ocean, perhaps half again as wide as the Hudson, separates the United States from three flattened land masses labeled China, Japan and Russia.
The illustrationhumorously depicting New Yorkers’ self-image of their place in the world, or perhaps outsiders’ view of New Yorkers’ self-imageinspired many similar works, including the poster for the 1984 filmMoscow on the Hudson that movie poster led to a lawsuit, Steinberg v. Columbia Pictures Industries, Inc., 663 F. Supp. 706 , which held that Columbia Pictures violated the copyright that Steinberg held on his work.
The Book Club That Helped Spark The Gay
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In the late nineteen-thirties, Gonzálo Segura, known to his friends as Tony, enrolled at Emory University to study biochemistry. He graduated in 1942, and subsequently took a job at Foster D. Snell, a New York-based engineering and chemical-consulting company that the United States Army hired to run radiation tests. Under strict secrecy, Segura tested which cleaning agents removed radiation most effectively from human hands. As his career in radiochemistry progressed, he kept quiet about his growing attraction to other men. I learned very early in life, when I was a child really, that that and all sexuality were things to be kept to myself, he told the historian Jonathan Ned Katz, in 1977. Hed always assumed that, by the time he entered his twenties, he would develop desires for women, then marry and have kids.
At a conference in 1958, an attorney named Robert Veit Sherwin said, according to a set of contemporaneous notes, that, under Cory, the book service was a receptacle for complaints, a shoulder to weep on, a help for people in trouble. Through the monthly mailings, subscribers felt a sense of belonging, he added, noting that they wrote letters to Cory in such large numbers that the burden of personally answering the letters became too great for him.
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View Any Issue Of The New Yorker Back To 1925
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Could The Teen Magazine Rise Again
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When Casey Lewis was a teen-ager, in the early two-thousands, she would arrive home from school every day eager to find the latest issue of Seventeen or Teen Vogue or Elle Girl waiting on the kitchen counter. It was the era of low-rise jeans, NSync centerfolds, and unironic how-to columns dealing in the premise that theres a correct way to be a teen-ager. If two issues arrived in one day, Lewis said, It felt like winning the lottery. She would take the magazines up to her room and read them like textbooks, poring over every story, every caption. She would attempt to memorize the styling tips and clothing credits, because the most sophisticated people her age understood not only which brands were trending but also what it would communicate about oneself to wear those brands. Throughout the month, Lewis would return to the magazines, using them to puzzle out period questions and divine whether her latest crush liked her back, because, in the pre-Google era, she trusted the editors of Seventeen more than she trusted Jeeves.