Tuesday, July 16, 2024

How To Become A New York Times Journalist

Nso Group Denying Links

New York Times journalist âdefends callsâ for Australian journalist to be censored

Image Credits: Shutterstock

Hubbards phone was hacked using Pegasus on June 13, 2021, the report says, with the infection process having started around 15:45:20 GMT. The exploit was apparently orchestrated through an iMessage account which sent a number of messages to Hubbard, and interestingly, this same account also communicated with the device of a Saudi activist who is known to have suffered a Pegasus attack as well.

As of last year, the exploit against Hubbard took place on July 12, 2020, with the infection starting around 16:46:01 GMT. It may be noted that while Citizen Lab remains confident that the attacks were carried out through the Pegasus spyware, NSO Group has staunchly been denying all allegations that the communications received by Ben Hubbard had anything to do with them.

How 6 New York Times Journalists Use Rev Transcription To Tell Their Stories

For any journalist in the field, we can probably all agree that transcribing hours of audio wastes valuable time that could be spent finding the next big story. Even journalists at one of the best newspapers in the world, The New York Times, would agree. In fact, many have shared in their Tech Were Using why they use Rev transcription in their journalism work.

Were pretty proud that journalists all across the world use Rev transcription services, the voice recorder app, and app to get breaking news out fast and hit their deadlines. Heres a list of just six of the journalists from The New York Times who use Rev for transcription to get their job done!

The New York Times Fellowship Is A One

The fellowship represents a unique opportunity to do great journalism for The Times. It incorporates speakers, feedback and training opportunities. The program’s goal is to benefit not only the participants and The Times, but other newsrooms. We expect most of our fellows will graduate to positions around the country and world.

To read more about the fellowship, visit our Careers page.

Frequently asked questions

What is the Times Fellowship?

In 2019, we replaced our newsroom summer internship with a yearlong fellowship aimed at up-and-coming journalists.

Why did The Times make this change?

We believe the new program better trains journalists, provides greater benefits for participants and our newsroom, and establishes relationships that will pay off for years to come.

Who is eligible for the fellowship?

The program targets journalists with some experience who are early in their careers, including recent graduates of college and graduate school. Applicants must be authorized to work in the United States.

How long is the fellowship?

The fellowship is 12 months.

When does The Times open applications for the fellowship?

Fellowship applications open in the fall. The class is announced early the following year.

When will the fellowship start?

The fellows begin work in June.

Is the fellowship paid?

The program director and top editors from around the newsroom collaborate to choose the class.

Do fellows have a chance to be hired into staff positions?

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Your Story Is Too Low

This mistake is a little hard to define, but it probably accounts for at least half of the stories I decline. If youre going to ask an editor to pay you for your idea, make sure its an idea worth paying for. Think scope, reach, and impact.

This problem emerges in a lot of ways, but the most common issues I see are: Your story requires very little or no reporting it could be written by anyone it applies to a very small demographic your story has a very limited shelf-life or it just doesnt have any sweep or scope. Editors want important, substantive stories.

Ask yourself: If an editor responded and said, So what? Who cares? would you have a real answer?

Mobile / Tablet Editor

As Trump kicks out reporters, the Washington Post declares ...

2 years 3 months

Washington D.C. Metro Area

I helped oversee daily story production, placement and web traffic for The Post’s flagship mobile site and mobile app and iPad app. I helped consult on and oversee larger display packages on mobile. And I consulted on the innovation of the site and apps themselves.

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Forner New York Times Reporter Is Running For Oregon Governor

Nicholas Kristof was raised in Yamhill, Oregon, and went on to become a foreign correspondent and columnist.

  • Wednesday, October 27, 2021 2:06pm
  • Northwest

SALEM, Ore. Former New York Times journalist Nicholas Kristof announced his candidacy Wednesday for Oregon governor, saying the state needs a political newbie to solve problems like homelessness and rural despair.

Ive never run for political office in my life, Kristoff said in a campaign video, expressing it as an asset. He said he felt compelled to run for governor because, after covering crises around the world, he was heartbroken to see ones afflicting his home state.

Kristof pointed out that many of the kids he grew up with in Yamhill, 25 miles southwest of Portland, are dead, their deaths drug- or alcohol-related. Kristoff calls them victims of inequality.

Kristof joins a crowded field of Democrats seeking their partys nomination to be the candidate in the 2022 election, including Oregon House Speaker Tina Kotek and state Treasurer Tobias Read. Democrats have held the governors office since 1987.

In his video, Kristof said political leaders have been unable to resolve issues such as drug addiction, homelessness, unaffordable housing, a spiraling homicide rate in Portland and weak mental health support.

Kristoff and his wife, Sheryl WuDunn who also was a New York Times reporter bought a 150-acre property in Yamhill in 1993 and have worked the land and paid Oregon property taxes on it.

Talk to us

A Modern Author Fairytale

This time, Jennifer appears on screen wearing two necklaces and a shiny black fitted jacket with silvery architectural details on the shoulders.

Her dark hair is down and parted on the side, and this time her ring light is on, illuminating her bright pink lipstick. She wears the smile of someone who has been working alone on a book for a long time and is excited to finally get to talk about it as something real, something finished.

Throughout the interview, she talks like she writes like she was there, like an omniscient fiction narrator. Anytime I read her books I often take a moment to remind myself that she wasnt actually alive when, say, Hazel Scott, the Beyonce of her day, was making television history as the first Black person to host a late-night show and delighting audiences by playing two pianos at once. Or that Jennifer wasnt actually in the coffee shop sitting with Jerry Seinfeld and Larry David when they came up with the premise for Seinfeld.

She embeds herself so fully in research and archives and interviews that her stories read like novels, her interviews like shes talking about old friends.

After a few more questions and stories, the book event ends, and instead of walking out of a library or bookstore as I used to do when these kinds of events were in person, tonight I simply shut my computer and remember what happened before one of Jennifers in-person book tours a few years ago.

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The New York Times Is Building A New Audio Product

New York Times Audio is a new listening product designed to help you understand the most important stories of the day. It includes news, opinion, narrative storytelling and more.

Audio has become central to how New York Times journalists help people understand the world. Since The Daily launched in 2017, millions of listeners have turned to it every weekday to make sense of the most important issues of the moment.

Since then, The Times has developed robust and wide-ranging audio programming cultural criticism, newsmaker interviews, provocative debate that reaches 20MM listeners each month. In 2020, The Times acquired Serial Productions and Audm, and formed a creative and strategic alliance with This American Life.

Now, The Times is working to incorporate that audio journalism into its digital experiences. Today we are beginning recruitment for testers to participate in a new experience called New York Times Audio. Curated by Times journalists and editors, New York Times Audio is an app that will help listeners engage with the latest news, ideas, criticism and stories that matter to them.

At the same time, The Times has begun experimenting with programming more signature audio stories into the core news app, adding a new dimension to the Times news experience. Last month, The Times began experimenting with Listen, a tab in its news app that features a selection of signature Times stories read aloud by the reporters who wrote them.

You Dont Disclose Conflicts Of Interest

How a journalist quit her job to become a New York Times bestselling author | I Am A Creator – S2E1

Most publications have codes of ethics and/or guidelines around conflict-of-interest disclosures. They can vary widely, so always always! err on the side of over-disclosure. The worst-case scenario is that outlet finds out you had a conflict after publication , which usually results in a correction with the disclosure and that writer possibly being blacklisted from the publication.

A travel editor at an international outlet shared this story:

Im not allowed to accept press trips, and same goes for people who write for us. I can usually tell when someone went on a press junket even if they dont disclose it, because multiple writers all pitch me the same story about the same destination all at once. Often, it was a trip I was invited on myself and had to decline.

A writer pitched me one of these stories, and I wrote her back politely giving her a heads-up about the no-press-trips rule. Her response: You must have figured out I was on a press trip because YOURE STALKING ME.

Good tip: Dont accuse editors of stalking you. And also be honest about stuff.

So now you know what not to do heres what you should do. It boils down to basically three things:

Be concise yet informative.

Very few cold pitches need to be more than, say, 10 sentences, and the best ones are often less.

Explain why anyone should care.

Get me interested to learn more, but more important, make me want to tell this story to the readers of my publication.

Show that you can pull it off.

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How To Make Money As A Freelance Journalist

How do freelance journalists make a living? It requires a sustained approach, with lots of backend work dedicated to securing new assignments.

Important to be aware of is that the highest rates arent always coming from the highest authority publications. Trade and company magazines might garner you more money per story than an exclusive byline at The New York Times or Newsweek, so its definitely worth casting a wide net with your pitches and not limiting yourself to the more prestigious names.

It might take some time to find your footing, but you can absolutely build a profitable career as a freelance journalist. This is especially true if you add other skills to your roster, such as podcasting or photography. Do your research to figure out what you need to do to start out in your desired niche, and dont let your lack of experience hold you back from pitching. If youve got a story to tell and a knack for how to tell it, youve already got a lot going for you as a freelance journalist.

Discover Online Classes In Freelancing & Entrepreneurship

Pricing, building your business, time management, and more.

If youre interested in pursuing a career in journalism but dont want to be tied down to a specific publication, why not consider becoming a freelance journalist?

As a freelance journalist, you get the independence to follow the trail of the narratives that intrigue you most. Depending on your niche and your interests, you may also get an opportunity to travel the world, exploring new places and ideas and sharing untold stories through your work.

Heres what to know about building a career, including standard rates, different types of freelance journalism, and where to start when it comes to finding opportunities.

As a freelance journalist, youll be able to chase the stories youre passionate about wherever they take you.

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Accusations Of Liberal Bias

In mid-2004, the newspaper’s then-public editor Daniel Okrent, wrote an opinion piece in which he said that The New York Times did have a liberal bias in news coverage of certain social issues such as abortion and same-sex marriage. He stated that this bias reflected the paper’s cosmopolitanism, which arose naturally from its roots as a hometown paper of New York City, writing that the coverage of the Times‘s Arts & Leisure Culture and the Sunday Times Magazine trend to the left.

If you’re examining the paper’s coverage of these subjects from a perspective that is neither urban nor Northeastern nor culturally seen-it-all if you are among the groups The Times treats as strange objects to be examined on a laboratory slide if your value system wouldn’t wear well on a composite New York Times journalist, then a walk through this paper can make you feel you’re traveling in a strange and forbidding world.

Times public editor Arthur Brisbane wrote in 2012:

When The Times covers a national presidential campaign, I have found that the lead editors and reporters are disciplined about enforcing fairness and balance, and usually succeed in doing so. Across the paper’s many departments, though, so many share a kind of political and cultural progressivism for lack of a better term that this worldview virtually bleeds through the fabric of The Times.

What If You Didn’t Have To Be Freaking Out All The Time

Page One: Inside The New York Times

Jennifer has now been a full-time author for over a decade.

And while finding out she made the New York Times bestseller list was a dream come true, it isnt what sustains her, financially or otherwise.

In some ways, that distinction added more pressure. When her Sex and the City book, which came after the Seinfeld one, didnt make the list, it was demoralizing. But also freeing.

It relieved a little pressure, and made her wonder what else she could do to not put so much pressure on every book, wondering, What if you didn’t have to be freaking out all the time that you haven’t sold your next book yet?

Thats when she started teaching writing courses online and exploring other ways to make a living as a writer:

The more you can find ways that make sense for you to make money elsewhere, the less you are pressured. Its such a boring thing to be like, You should learn money management in order to be more creative. But it’s something I’m thinking about so much right now this constant balance of creativity and making a living.

She also read books about entrepreneurship and decided to focus more on her email list. She wanted to have a way to reach her audience directly and tell them about all the things she was creating and offering now, like writing coaching and hosting multiple podcasts :

I wanted some way to get the word out to the people who cared.

She loves knowing the people on her list are the ones who really care.

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His Reasons For Opposing Trump Were Biblical Now A Top Christian Editor Is Out

A clash over culture and politics comes to World, a groundbreaking journalistic institution that covers evangelical Christians.

Supported by

By Ben Smith

When Marvin Olasky gets angry emails from readers more often than not about an exposé of wrongdoing at an evangelical church, or about a story that reflects poorly on Donald Trump he has a stock reply.

We think this is useful to the Church, he tells disgruntled readers, because we are also sinners.

As the longtime editor of World, a Christian news organization that has a website, a biweekly magazine and a set of podcasts, Mr. Olasky has delivered a mix of hard news and watchdog articles about the evangelical realm under a journalistic philosophy he calls biblical objectivity.

It involves taking strong stands where the Bible is clear, which has led World to oppose abortion rights and support refugees, he says, and to follow reportable facts where the Bible doesnt provide clear guidance.

The concept served Mr. Olasky well from 1994, when he became the editor of World, until Nov. 1, 2021, when he submitted his resignation.

At one level, Mr. Olaskys departure is just another example of the American news media sinking deeper into polarization, as one more conservative news outlet, which had almost miraculously retained its independence, is conquered by Mr. Trump.

I dont see in any way that we are becoming more partisan or more Trumpy, Mr. Martin said.

Is Rev Taking Over The New York Times Newsroom

All-in-all, six reporters from the NYT have specifically mentioned Rev in the Tech Were Using series. The same newspaper.

Does this amount to a full takeover of The New York Times newsroom?


We cant say for certain, yet.

But in any case, at one of the most popular and respected news outlets in the world, Revs making a name for itself. That we know for sure.

And even if were not fun , we think were worth a try.

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Finding Freelance Journalist Jobs

Freelance journalism offers you flexibility in both the types of jobs that you take on and where you look to find them. Overwhelming though it may be, finding freelance jobs online is probably going to be the quickest way to goand the most effective.

There are a couple of ways to go about doing this:

  • Join a freelance marketplace: Publications, specifically company and trade publications, often post opportunities on freelance marketplaces. Others hire content management websites to source writers for them. Get on as many of these websites as you can to find new opportunities and help them find you.
  • Pitch directly: Most publications have a section on their website devoted to how to pitch story ideas to them and what theyre looking for. A cold pitch strategy like this may fail more often than it succeeds, but its always worth a shot.

In terms of how to get freelance journalism work, securing assignments is half the jobif not more. Up your chances by creating a personal website, which will lend legitimacy to your work and provide a designated spot where your portfolio can live.

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